Arias, Rosario. “Sensoriality and Hair Jewellery in Neo-Victorian Fiction and Culture.” Lectora, no. 26, Oct. 2020, pp. 83–97. https://doi.org/10.1344/Lectora2020.26.6.

Holm, Christiane. “Sentimental Cuts: Eighteenth-Century Mourning Jewelry with Hair.” Eighteenth-Century Studies, vol. 38, no. 1, Sept. 2004, pp. 139–43. https://doi.org/10.1353/ecs.2004.0059.

Lutz, Deborah. “THE DEAD STILL AMONG US: VICTORIAN SECULAR RELICS, HAIR JEWELRY, AND DEATH CULTURE.” Victorian Literature and Culture, vol. 39, no. 1, 2011, pp. 127–42. https://doi.org/10.1017/S1060150310000306.

Michelon, Christina. “The In/Visibility of Mourning: Seeing Labor, Loss, and Enslavement in an Antebellum Posthumous Portrait.” American Art, vol. 35, no. 2, June 2021, pp. 78–101. https://doi.org/10.1086/715826.

Warren, Dakota. To Love is to Take. 2024. Dakota Warren on Instagram: "‘TO LOVE IS TO TAKE’, 2024 (HUMAN HAIR, EMBROIDERY ON FABRIC) Paying homage to the late Victorian tradition, TO LOVE IS TO TAKE is comprised of an arrangement of locks of human hair taken as mementos from brave strangers, willing friends and frightened lovers - because to love is to take (and to take and to take). Is it so bad to demand a keepsake?" 

Yan, Shu-chuan. “The Art of Working in Hair: Hair Jewellery and Ornamental Handiwork in Victorian Britain.” The Journal of Modern Craft, vol. 12, no. 2, 2019, pp. 123–39. https://doi.org/10.1080/17496772.2019.1620429.